The NZSO looked out to a bustling Michael Fowler Centre as they presented Bold Worlds; Pictures at an Exhibition. This celebration of Brass repertoire sandwiched big ticket works by Leoš Janáček and Modest Mussorgsky with an equally big ticket trumpet soloist, Håkan Hardenberger, who gave us the New Zealand premiere of Australian composer Brett Dean's Trumpet Concerto. With guest conductor Dima Slobodeniouk at the helm the evening was invested with great energy and imagination, and Slobodeniouk elicited refinement from the scores and players alike.
The programme opened with Janáček's brassy Sinfonietta, the triumphant phalanx of fanfares performed by an additional ensemble of no less than 13 brass players. If the audiences weren't settled in their seats before the concertmaster finished ‘tuning' the orchestra they definitely were after the opening march of trumpets, euphoniums and timpini that crown the Sinfonietta's five-movement progress. Originally commissioned for a ‘gymnastics festival', much has been written about the piece's nationalistic symbolism, enthusiasm and spirit, further evidenced by the work's dedication to the "Czechoslovak Armed Forces".
Yet the work is far richer than its military nods. The fanfares were irresistible, but most memorable were how Janáček introduced new musical ideas without warning. This offered a sense of surprise and suspense that continued throughout, right up until the triumphal return of the march-like theme and the final crashing amalgamation of sound at the very end. The exclamations of the cellos and basses near the start of the fourth movement were particular highlights, and the melancholic opening of the final section between flutes and strings was compelling. Aside from was sounded as some minor losses of concentration in the middle, the thrill of the concluding brass was unforgettable.
Dean's newly commissioned concerto Dramatis Personae, played worthy follower to Janáček. Written for Hardenberger, Dean's concerto was first heard at the Grafenegg festival in Austria and has since travelled widely. Hardenberger's familiarity with the music was evident; and he was immersed in the performance from the start. Cast in conventional form the concerto refers to the different characters Dean associates with the trumpet's persona. Drawing upon comic book scenarios and classical tales of heroism, the soloist is depicted as the fallen superhero, and Hardenberger's artistry captured this character deftly.
The concerto's whimsical opening was quite a shift in pace from the Sinfonietta's explosive end and Hardenberger's solo exploits, pitted against the orchestra as he moved through the first movement, were impressive. Using an array of mutes Hardenberg's technical abilities were captivating, and his flair and sensitivity in the second movement gave an almost a vocal quality to his timbre. A whimsical flavour returned to the music in the final movement when Hardenberger shifted to the rear of the stage and joined the trumpet ranks for the concluding bars. My only quam lay not with the playing, but with some elements of the composition - Dean's use of comic elements blended with traditional tropes was not completely convincing for me. Aside from this, the audience marvelled at Hardenberger's virtuosity, who well deserves the praise as the world's ‘greatest trumpet soloist'.
Ravel's incredibly recognisable arrangement of Mussorgsky‘s Pictures At An Exhibition was final work of the evening and had the orchestra sounding at their best. Set in 10 movements, Mussorgsky wrote the work as a tribute to the architect and painter Viktor Hartmann. Taking inspiration from Hartmann's paintings the suite depicts an imaginary tour of an art exhibition; each movement suitably characterful with its own individual colours. Of particular highlight was the way the opening ‘Promenade' theme was reworked and integrated throughout the ten scenes; the sorrowful iteration of the theme by the oboes in the ‘Catacomb's' was incredibly effecting. The exotic saxophone solo in the ‘second movement was very well done, and seemed a perfect addition to the orchestra.
Slightly away from the main action was a delightful scene of small boy, sitting in the front row, directly behind the conductor, who sat furtively in his seat following the wild and energetic movements of the conductor's baton; mimicking the sweeps, staccatoed thrusts and circular swirls as Slobodeniouk led the orchestra. Throughout the evening there was some inspired played, and orchestra, soloist's and conductor were well up to the demands of the music. Dunedin is the next stop for this programme and I am in no doubt the audience will be equally swept up in the brave bold world of Brass.
One of our writers sat down with Amy Mansfield, writer of I Didn’t Invite You Hear To Lecture Me, ahead of the Basement shows. Most students throw out their study notes, but not Amy. She has kept hold of them for the past 20 years--vertibiam quotes from her lectures that are too good to ever get rid of. The play was shown throughout the Auckland Fringe Week 2018, and even in some personal living rooms, the vibe is very independent and witty.
It was a cold bleary eyed Saturday night as the clock struck midnight, and counted towards 1am… the time set forth to conjure Richard Shaw, guitarist for legendary UK black metal act Cradle of Filth. We talked ahead of their sold out, first ever performance here in New Zealand.
NZ is about to get OBESSED, with the newest in kiwi music. Local Tauranga sweetheart, Amelia McNabb comes to us fiercely, independently, and with more fire in her lungs than I've heard from any kiwi artist in while. THIS is what we’ve been waiting for.
Elgusto, one part of the innovative electronic/dance music duo, Hermitude, sat down with one of our interviewers this past week; chatting about their loaded schedule, the bands ethos, how they communicate an instrumental show, and their creative collaborations.
Catching up with friends who are musicians at their gigs is always an odd, awkward, rushed affair between sets, pack-down, or a series of inaudible shouts as another band plays. So with the release of the new Seas of Conflict single Monachopsis, I thought it was time I simply scheduled time for a chat, not only once but twice--due to technical issues--with guitarist Declan Storrie.
I recently ventured back to my old festival haunting grounds - or at least the successor thereof. It was a hot Sunday afternoon and after juggling band members between their Festival One main stage duties and their prior commitments off-site, I managed to sit down with the guys and gal from Amanaki - one of the few hardcore-metal acts to perform at the mostly radio-friendly festival.
The Red Jumpsuit Apparatus are gracing our shores on the 28th of November at Galatos. After a 4-year hiatus, they have burst back onto the scene and headed straight for the spot they are most familiar with, number 1 on the Billboard Christian Rock Charts.
Breakups are never easy - whether it's a romantic tryst, a teenage crush, or with a young Mark and his favourite band Dream Theater, that dark moment when founding keyboardist Kevin Moore left the group in 1994.
There's no denying that at my core, I'm a lover of progressive music - whether that means I love "prog" music or not is a question for another day, and is a topic which I touched on whilst talking to Steven Wilson the other week regarding the upcoming To The Bone show at Auckland's Bruce Mason Centre.
Auckland-based quartet Openside have added an extra date to their first, all-ages, nationwide tour. The group headlines The Seamless Tour will now perform a final show in Tauranga on July 20th featuring special guests DUNES .
Consisting of drummer/vocalist Cat Leahy and guitarist/vocalist Leisha Jungalwalla, This Way Northwill be a part of a very special night in Auckland called ‘Sass the Patriarchy’ an event they have been running in Australia.
As the days and nights get colder, we need something more to laugh about than the unpredictability of Auckland weather and lucky for us, The New Zealand International Comedy Festivalreturns (kicking off this Thursday 26 April).
I Am Giant’s have recently released their third and final album ‘Life in Captivity’. Featuring the singles ‘Dead Flower’, ‘Playing With Fire’ and ‘Don’t Look Back’, the band are currently touring New Zealand; their final tour and last hurrah in NZ.
Featuring Future of the Left members Andrew “Falco” Falkous and Jack Egglestone, with the addition of Damien Sayell from the St Pierre Snake Invasion, the Cardiff outfit will be playing venues in Wellington and Auckland this January.
Andrew Fagan returns with a satirical take on today’s social media preoccupied society. Being an amateur social anthropologist, it is a topic close to his heart. Listen to new track On Channel Me below, off Fagan’s forthcoming solo album Act Normal, due for release in October on Southbound.
Brisbane’s own indie rock royalty, The Grates, have been invited along for the ride, and will treat their hometown crowd to classics from their extensive and impressive catalogue of tunes including 19-20-20 and Turn Me On.
Pixies, one of the most influential alternative rock bands of all time, have announced a second show for Brisbane fans due to overwhelming demand. Following on from Melbourne’s second show announced on Friday (on sale 12pm today!), Brisbane fans have been just as eager to see catch the influential music pioneers, selling out the Fortitude Music Hall date on March 13. A second show has been added at the same venue on Thursday March 12 as part of their mammoth world tour, Come On Pilgrim… It’s Surfer Rosa.
The Ugly Kings, featuring Devil Electric guitarist, Christos Athanasias, are four powerhouse blues rockers drawing influence from an eclectic and dynamic musical background. They offer a powerful injection of energy and emotion to the modern rock scene, formulating what can only be described as power blues. They have released a new music video for Black Widow, featuring an award winning burlesque dancer Ferri Maya. Plus announced a live show this weekend!
Fame and fortune on the Kiwi music scene are a step closer for the top 10 acts just announced in Smokefreerockquest, New Zealand’s biggest live, nationwide all original music event for high school students.
Pluto’s nascent trajectory has covered the spectrum of the New Zealand musical stratosphere, bursting brightly onto the scene in 2001 just to have their star seemingly burn out just as abruptly in 2009. It would have been a suitably intriguing end to befall one of the finest, most exciting and alluring bands New Zealand has ever produced.
Exhilarating and high energy New Zealand rock band, Written By Wolves, have just released their killer new track, Tell Me What You’re Running From? This is the first single from the band’s upcoming new album, set for release later this year.
Australia’s foremost authority on progressive rock, Caligula’s Horse, are just weeks away from kicking off their Let It Grow tour which will celebrate their cult classic The Tide, The Thief & River's End and breakout progressive masterpiece Bloom by playing them back to back!
Within the four walls of The Fortitude Music Hall, lies The Outpost. Brisbane’s newest 300 capacity multipurpose venue that will feature a diverse program of artists, an impressive drinks menu featuring a cocktail list curated by the talented team at Proof & Company.
After spending the past year pulverizing the world with their stupefying live performances, Tropical Fuck Storm return home to tour their new album Braindrops and put the Antipodean public to the sword! Braindrops, the follow up to 2018's epic odyssey, A Laughing Death In Meatspace, will be released on Flightless Records in August
It’s been 20 years since The Flaming Lips released the one-of-a-kind aural hallucination that is The Soft Bulletin. To celebrate the anniversary of its release, The Flaming Lips will play a special show at Brisbane’s Fortitude Music Hall.
15-time Grammy Award-winning singer, songwriter, and producer Alicia Keys makes her musical return with the powerful track and visuals for “Show Me Love,” featuring Grammy Award winning singer, songwriter and producer, Miguel via RCA Records.
Backstreet’s back, alright! Get your group together, because the biggest selling Boy Band of all time (100 million albums), the BACKSTREET BOYS are heading back to New Zealand in 2020 for a show at Auckland’s Spark Arena on Saturday, May 16.
Platinum-certified independent singer, songwriter, producer, and pop visionary Lauv has released new single 'fuck, I'm lonely' with Anne-Marie today. The track will be featured on Lauv’s forthcoming debut album titled ~how i'm feeling
Frontier Touring and Roundhouse Entertainment are excited to announce that Norwegian pop icons a-ha are returning to Australia for the first time in 34 years, before heading to New Zealand for the very first time! They’ll be joined by very special guest Rick Astley at all February & March 2020 shows, taking in Sydney, Melbourne, and Christchurch, as well as a day on the green events in Australia and New Zealand.
Hitting a massive nine centres on his regional tour this September, Stan will take the stage to perform songs from his impressive catalogue plus his brand new pop smash single Give (co-written by Matiu Walters of SIX60) for his beloved fans. The Springboard tour will also boast three of NZ’s most up-and-coming new artists – Lepani, Niko Walters and Jordan Gavet.
TEG DAINTY and THE MISSION ESTATE WINERY CONCERT announced today that global superstar Michael Bublé will return in February 2020! Accompanied by a 36-piece orchestra and ready to to thrill his New Zealand fans for one night only; this will be Michael Bublé’s only show in New Zealand.
Elton John will perform a third and final show at Auckland’s Mt Smart Stadium, to satisfy New Zealand’s insatiable demand. It has also been announced that, due to a scheduling conflict, three of Elton’s sold out New Zealand concerts have been delayed by one week. Rescheduled dates affect the second show at Mission Estate Winery, and the first two Mt Smart Stadium shows in Auckland.
Vocal prodigy RUEL is returning to New Zealand for one show in Auckland at the Bruce Mason Centre in May. Counting Elton John and Khalid among his fans, RUEL is taking the globe by storm, smashing show records, and he’s only 16 years old.
Exactly six years to the day since the release of Vance Joy’s debut EP God Loves You When You’re Dancing, Liberation Records are pleased to reveal an extremely limited run of the EP have been pressed on vinyl for the first time ever for release on Friday 26 April. Vance Joy has also announced he will bring his Ukuleles For Kids program to Australia in a new partnership with Ronald McDonald House Charities Australia. Launched in the USA last year the program delivers ukuleles and how-to video tutorials lead by Vance Joy to children’s hospitals.
LA two-piece Moby Rich have announced two headline shows on their debut Australian tour this May. With their latest single Blink bringing further attention to the duo, this Australian tour is the perfect opportunity to catch two indie stars on the rise. Support on the tour comes from yergurl in Melbourne, whose lo-fi beats and unique pop style made her a Triple J Unearthed favourite. Sydney support will be from Hoodlem, a streaming sensation with her mix of experimental soul and future R&B.
Darren Middleton (POWDERFINGER), Mark Wilson (JET), Davey Lane (YOU AM I) and Kram (SPIDERBAIT) have joined forces to become ARC, one of the most collectively celebrated and successful supergroups in Australia’s rock history will be performing Abbey Road live, commemorating 50 years of existence.
Abbey Road, The Beatles' swansong and their crowning achievement as a recording group - is a stately, majestic, playful yet fiercely rocking masterpiece of pop music, regarded as one of the greatest records of all time.
TEG Dainty and Nice Events are excited to announce that Emmy-nominated television personality, podcaster and hairstylist to the stars, Jonathan Van Ness, will bring his Road to Beijing world tour to New Zealand
Colin Mochrie, Brad Sherwood and Greg Proops the popular stars of the Emmy nominated Whose Line Is It Anyway? have teamed up to present an evening of extraordinary improvisational comedy for one show only at the Bruce Mason Centre in Auckland.
In a New Zealand first, five of the stars of Twin Peaks, Sheryl Lee, Kimmy Robertson, Michael Horse, Al Strobel, Dana Ashbrook and the Executive Producer of Twin Peaks: A Limited Event Series, Sabrina S. Sutherland, will visit Auckland and Christchurch for an exclusive and unique CONVERSATION WITH THE STARS evening.